In this essay, I contrast Gumbrecht’s insight with the cognitivist and Daniel Frampton’s phenomenological views on cinematic experiences. Borrowing scenes from Terrance Malik’s film The Tree of Life, I propose that cinematic expressions can create presence besides communicating stable, concrete meanings that mostly engage one’s mind. I side with Gumbrecht and argue that merely attributing or reconstructing the meaning of a film, cognitively or phenomenologically, limits the philosophising potential of the medium. After all, film intrinsically philosophises as a physical reality, or film-being.
The following essay is actually my class assignment for GP. It is one of the essays that I am most proud of. Wish myself all the best for the upcoming GP Exam! Note that the question is adopted from Singapore-GCE A'Level 2012 General Paper P1. Consider the view that Mathematics possesses not only truth, but… Continue reading Consider the view that Mathematics possesses not only truth, but supreme beauty.