The 2017 British independent film God's Own Country is about the Yorkshire countryside, two homosexual men, plenty of sheep and a sense of nostalgia. Filled with the ambition of timelessness, the story, or a dreamy fairytale, does not happen in a specified time. Characters speak with a strong regional accent, and I struggle to catch every word. But that turns out to be a minor concern: the film does not demand its audience to catch every word; instead, it invites them for a visually intimate experience with two blessed young men falling in love, alongside an earnest, affecting depiction of humanity.
10/10 Every great story is a stroy of pain, and The Tree of Life is no exception. It is a story of unbearable and chronic discomfort: the pain of life, growth and death, or to put them together, the pain of mortal existence. It is difficult to reivew this movie in one short blog post, but I think it is worth a try, for the movie deals with the most fundamental pain of human existence, or should I say the worst kind of pain among all.
“Artists use lies to tell the truth while politicians use lies to cover the truth up". Widely regarded as one of the most anticipated TV series of 2016, Westworld is inspired by the 1973 movie of the same name which narrates a story in the distant future when human beings are able to stimulate human minds (or consciousness?) for entertainment, or the pleasure of torture and killing. Boosted by stunning visual effects, an ambitious storyline and strong performances, HBO's Westworld greets the world with critical acclaim, scholarly debates and record-breaking ratings.
Set in a pain-striking town near Boston, Manchester by the Sea narrates a simpler lifestyle, an affecting story and the complexity of forgiveness. I am often puzzled by people feeling better after watching a sad movie or listening to a sad song, and Manchester by the Sea does nothing but affirms that proposition. I assign the movie a 9/10 as it is one of the best movies I have watched in a year, for its authenticity despite its minimalistic direction, acting and storytelling, and for it captures the emotional subtlety that other contemporary work often struggles to balance.
8/10 When you look into the dark, mysterious night sky, what are the thoughts and feelings that come to you? Fear, wonder, relief, solitude, or nostalgia? Christopher Nolan offers his unique answer in his well-received scientific fantasy Interstellar (2014) of which Nolan is the director, screenplay writer and producer. Contrary to many scientific fantasy directors,… Continue reading Interstellar (2014): Don’t Go Gentle into that Good Night